Kiss of the spider woman themes

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kiss of the spider woman themes

Kiss of the Spider Woman by Manuel Puig

Sometimes they talk all night long. In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.
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Kiss of the Spider Woman - Kiss Of The Spider Woman (Original Broadway Cast)

A discussion of important themes running throughout The Kiss of the Spider Woman. Great supplemental information for school essays and projects.
Manuel Puig

Essay on Themes and Motifs in the Kiss of the Spiderwoman

The property of Manuel Puig's novel, Kiss of the Spider Woman , proved a promised land for independent filmmaking. It has a minimalist scope -- two prisoners sharing a cell -- and content that channels both psycho-sexual and political complexities. Essentially an extended dialog possessing a novelistic range, Kiss of the Spider Woman contains language so smooth and elegant the reader never grows irritated by the omission of narration or Puig's extended descriptions of classic movie plots. One wonders if his detractors told him to quit novel writing and go back to the movie biz, Puig's previous profession. Tennessee Williams possessed such grace, so it came as no surprise Puig brought his novel to the stage, in what may very well be the more effective version of the tale. First touring Spain and London, Puig's dramatic version didn't reach the US until after it was adapted to the big screen.

Kiss Of The Spider Woman. City Lights Media Group, Director: Hector Babenco. Rated R, minutes. Klemm Posted online, January, Seeing this outstanding film again, digitally remastered in its original widescreen format, was a pure delight. Kiss Of The Spider Woman broke a lot of ground back in

Academic journal article Mosaic Winnipeg. Manuel Puig's Kiss of the Spider Woman challenges the critical understanding of male femininity and homosexuality. I argue that the privileging of homosexuality has meant that the study of femininity has been insufficient; as such, this essay draws on Eve Kosofsky Sedgwick's notion of "effeminophobia" and studies Molina's femininity. Manuel Puig's Kiss of the Spider Woman is a popular, if not canonical, novel in the history of Latin American narrative; additionally, it holds an incontestable place in most canons of gay literature, especially since it is "the founding text of a post-Stonewall gay literature in Latin America" Balderston and Maristany At bottom, Kiss of the Spider Woman is a "Socratic dialogue" Manrique 41 between two men--Molina, a homosexual window-dresser, and Valentin, a heterosexual revolutionary--who have been imprisoned during a military dictatorship. Though a fairly significant body of criticism already exists on Puig's novel, in this study I want to argue for a re-reading of Kiss of the Spider Woman, one that focuses on femininity and accepts it as such without reading it as symptomatic or stereotypical of homosexuality.

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Valentin is studious, while Molina is far more open and talkative; the beginning of the novel is riddled with brief moments of conflict between the two, and it is clear that they have opposing views on many subjects. To pass the time, Molina offers to tell what he remembers of a film he once saw to Valentin, who agrees to listen. He tells the story of a woman whose fear that she will morph into a panther come true when she suspects her husband is seeing another woman. Throughout the story, Valentin interjects with his own, usually cynical, opinions about the characters and their motivations. Later, Molina tells another story, one that Valentin finds offensive because of its obvious propagandistic elements.

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