Its a Good Life, If You Dont Weaken: A Picture Novella by SethAn Acknowledged Classic returns gorgeously re-designed.
In his first graphic novel, Its a Good Life, if You Dont Weaken--one of the best-selling D & Q titles ever--Seth pays homage to the wit and sophistication of the old-fashioned magazine cartoon. While trying to understand his dissatisfaction with the present, Seth discovers the life and work of Kalo, a forgotten New Yorker cartoonist from the 1940s. But his obsession blinds him to the needs of his lover and the quiet desperation of his family. Wry self-reflection and moody colours characterize Seths style in this tale about learning lessons from nostalgia. His playful and sophisticated experiment with memoir provoked a furious debate among cartoon historians and archivists about the existence of Kalo, and prompted a Details feature about Seths hoax.
It’s a great life if you don’t weaken…
Jump to navigation. While trying to understand his dissatisfaction with the present, Seth discovers the life and work of Kalo, a forgotten New Yorker cartoonist from the s. But his obsession blinds him to the needs of his lover and the quiet desperation of his family. His playful and sophisticated experiment with memoir provoked a furious debate among cartoon historians and archivists about the existence of Kalo, and prompted a Details feature about Seth's "hoax". But he is a star in his own right, too. Rich, evocative From the storyline to the graphics, this book is impeccably designed and that is what makes it great.
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It's a Good Life, If You Don't Weaken is a graphic novel by Canadian cartoonist Seth. It appeared in a collected volume in after serialization from to.
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It tells the sad story of a forgotten 's cartoonist named Kalo. The phrase itself was first brought to the attention of the band by one of their staffers, Molly Lorimer, who, as Gord once explained, was fond of using the phrase when discussing life on the road. The expression was believed to have first appeared in a novel titled "Saturday Night and Sunday Morning" by Alan Sillitoe.
His inability to grasp his own cognitive limitations continually short-circuits the possibility that his life might be anything other than an endless parade of obsession and alienation. Is he traumatised? His lover Ruthie is completely baffled by this. Evidence is only relevant to Seth, it seems, when it concerns the facts of the lives of his long-dead artistic idols. Naked they may be, but any real intimacy on his part is missing, and his memory focuses on how she contributed to his obsessions. Only the most literal minded of thinkers would feel the need to explain away the fact of having been attracted to a less-than beautiful cartoon girl so early in life, and yet Seth seems to want his thoughts and emotions and the events which stimulate them to be forever fixed, understandable and predictable.
It appeared in a collected volume in after serialization from to in issues 4—9 of Seth's comic book series Palookaville. The mock-autobiographical story tells of its author's obsessive search for the work of a fictional forgotten cartoonist. Seth presents the fictional book as a work of autobiography and features figures from his life such as his friend and fellow cartoonist Chester Brown. The minimalist artwork draws from the styles of the early New Yorker cartoonists, rendered in thick brushstrokes with heavy blacks against a greyish-blue wash. The story unfolds with a nostalgic and melancholic tone, and several wordless scenes take the reader on a tour of Southern Ontarian city- and landscapes.